STILL PHOTOGRAPHER

Most shoots will want a still photographer of some kind. The director and producer should arrange beforehand what photos are required. Save time, money and film by setting goals for your still photographer in advance. There can be a lot of wasted film and cost if a strategy is not agreed upon at the start.

WHAT TOSHOOT
Determine that the still photographer will shoot at least one photo of every scene from the angle of the film or video camera, during a rehearsal, or after all the takes. These, photographs will promote your film, and will suggest the director's approach by approximating his or her camera angles. Allot a few moments, to this task and be sure that the cast and crew understand its importance.

BEHIND-THE-SCENES SHOTS should also be specifically discussed; a solid dramatic photo of the director at work will become invaluable in promoting the film, and most festivals will require such a shot. Each crew member should also be photographed, and a group shot is a valuable memento.

DOCUMENT ANYSPECIAL EFFECTS that the film incorporates; any promotional arrangements should be documented; and any-unusual circumstances, such as animal handling, should be documented for the record.

SUPPLIES AND DEVELOPING
Some .photo shops are developing environmental policies because it is good business. Ask-your photo dealer if they are participating in recycling programs.

ENCO PHOTO LAB is a small entrepreneurial lab that is environmentally oriented. Try calling them and have your film shipped there for processing. They are committed to recycling all packaging,, and they use RA-4 chemistry; which contaminates less wash water. They sell film as well (competitive with Kodak's prices), and recycle their film canisters. They use recycled paper in all their transactions, and their work looks good. Try them out.