A GUIDE TO ENVIRONMENTALLY SOUND FILM & VIDEO PRODUCTION
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section 1
THE GUIDE

INTRODUCTION
THE SCRIPT
THE PRODUCTION OFFICE
THE DIRECTOR
LOCATION
TRANSPORTATION
CASTING
THE ACTOR
CATERING
CRAFT SERVICE
ART DEPARTMENT
WARDROBE
MAKEUP AND HAIR
CAMERA DEPARTMENT
GRIP AND ELECTRIC
SOUND DEPARTMENT
STILL PHOTOGRAPHER
FILM SUPPLIERS AND THE ENVIRONMENT
WORKING WITH ANIMALS
POST-PRODUCTION
PROMOTIONAL MATERIALS
A TEN POINT SUMMARY

section 2
APPLICATION

MAKING "NO TELLING"

section 3
APPENDIXES

WHAT'S WRONG WITH....?
13 X-RATED COMPANIES LIST
BIBLIOGRAPHY / FURTHER READING
NOTES

section 4
INDEXES

SOURCE GUIDE BY PRODUCT
SOURCE GUIDE A-Z
INDEX
CREDITS

RUNNINGOUTOFROAD.COM

SOUND DEPARTMENT

The sound department has the obligation to record clean sync sound under often adverse conditions. They are not inclined to take risks with their power supply with so much at stake. As a result they change batteries on the Nagra often, to assure the power will be good. In a five week shoot, the sound department will go through up to 7 dozen AA batteries, 6 dozen D cell batteries, and 4 dozen 9 volt batteries. This is costly to the production, and an inefficient use of resources.

BATTERIES
The Nagra can he run on rechargeable batteries. Keep a set recharging during the day or night shoot, and the others to run your recorder. Rotate these and you will end up saving money on battery purchases and help solve the problem of battery disposal. If you are wary of the rechargeable battery technology you have encountered so far, look again. This is a rapidly growing science and can no longer even be called "alternative." Rechargeable batteries are found at hardware and hi-fi shops.
• Two sets of rechargeable batteries, which will last for up to seven features, will cost less than half the money expended on disposables for a single feature.
• If you purchase disposable batteries, see that they are mercury-free alkaline batteries.
• All disposable batteries should be saved and disposed of responsibly.
• External 24 volt battery blocks, available from equipment rental houses, will also run sound equipment, and are rechargeable.

MATERIALS
Schedule a day or two of wild sound taking. You can build up a library of sound effects for the specific film you are making. If there are car interiors or other unusual background sounds, record a sampling for the sound editors to work with. Many sounds that would otherwise be bought from a library in post-production will be more site-specific, and cheaper in the long run, if captured on location.

 

A GUIDE TO ENVIRONMENTALLY SOUND FILM & VIDEO PRODUCTION