A GUIDE TO ENVIRONMENTALLY SOUND FILM & VIDEO PRODUCTION
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section 1
THE GUIDE

INTRODUCTION
THE SCRIPT
THE PRODUCTION OFFICE
THE DIRECTOR
LOCATION
TRANSPORTATION
CASTING
THE ACTOR
CATERING
CRAFT SERVICE
ART DEPARTMENT
WARDROBE
MAKEUP AND HAIR
CAMERA DEPARTMENT
GRIP AND ELECTRIC
SOUND DEPARTMENT
STILL PHOTOGRAPHER
FILM SUPPLIERS AND THE ENVIRONMENT
WORKING WITH ANIMALS
POST-PRODUCTION
PROMOTIONAL MATERIALS
A TEN POINT SUMMARY

section 2
APPLICATION

MAKING "NO TELLING"

section 3
APPENDIXES

WHAT'S WRONG WITH....?
13 X-RATED COMPANIES LIST
BIBLIOGRAPHY / FURTHER READING
NOTES

section 4
INDEXES

SOURCE GUIDE BY PRODUCT
SOURCE GUIDE A-Z
INDEX
CREDITS

RUNNINGOUTOFROAD.COM

PROMOTIONAL MATERIALS

A lot of promotional material gets wasted. Flyers and postcards get handed out and lost or tossed. There are some measures you can take to reduce the endless paper waste that surrounds your efforts to get noticed in the competitive world of film promotion. The common materials used for promotion are photocopied flyers, posters, postcards, press releases, folders, glossy photos, stickers and buttons and T-shirts. You can make some low impact choices in all of these categories.


PRINT MATERIAL
Always design for the long term: Don't print specific dates or screening locations on bulk printed material like postcards and posters. This information will render the material obsolete as soon as the event has passed. Unless you are sure to use up every last piece, you will be left with cards and posters that can not be effectively used again. Instead, make your promotional material versatile by providing space for stickers or a. rubber stamp that will announce the specifics of your screening or event date.

DESIGNING AND PASTEUP: Use a waxer. Spray mount is toxic to inhale, uses aerosol propellants, and gets on unwanted surfaces. Rubber cement, while preferable, is toxic to inhale. The waxer is very effective for repositioning, and is certainly the least toxic to inhale. All of these options make recycling a problem, however, and you should keep waxes and glues out of your recycling bin.

DESIGNING ON THE COMPUTER eliminates glues and paste up, of course, but you still want to see a printout before going to press. For test printings, use scrap paper or 100% recycled paper.

PRINT ON RECYCLED PAPER: Even four-color high-gloss posters and postcards can be printed on recycled paper stock with soy-based inks. If your poster printer doesn't supply recycled paper, learn what the weight requirements are and order the paper yourself. There are printers who specialize in low impact printing. Get to know them. Remember, when talking/to printers, even your inquiries can let them know there is a demand for these products,

OTHER MATERIALS: Many promotional items can be made from recycled material. Consider promotional items that are also functional, such as mugs, pens and T-shirts.

PROMOTIONAL VIDEO MATERIAL
Reuse videotape, and request that festivals return your tapes. Don't ship videotapes in cellulose fiber bags. The fibers are attracted by the static electric charge in the videotape. These particles get into the video machines and damage the heads.

FESTIVALS, MARKETS, AND BEYOND
When distributing promotional material, have a plan. Don't leave piles of flyers around lobbies where no one will take notice but the janitor. At markets, target your audience and address them through the mailboxes. Make your material count, and be aware of the reputation you give your film. For although the squeakiest wheel often gets the oil, it can also sound desperate.

SUBMITTING TO FESTIVALS: Save paper and postage by sending a pared down version of your press kit when first submitting (synopsis and credits with a photocopied publicity still). A full kit will rarely be read in any depth at this stage of the process. When your film is accepted, then send the entire promotional package with glossies, confident it will be welcome.

THE PIGGYBACK FILM

From Thiesi post-productions in New York comes this idea:
What if a larger film, namely a feature, adopted a short film or documentary to give leftovers to. Place an ad in the trades as you go into production. Your film company can pass unused film, bulk catering supplies, food and art department leftovers, editing supplies, and so on, to the smaller film. Roger Corman is known for never letting a film set go unused for even a few days. He is always sure to get another film shot there. If you build this symbiosis into your production, you may get free cart-away services from the secondary film, and earn an associate producer credit as well. Build a film community and use resources up.

A GUIDE TO ENVIRONMENTALLY SOUND FILM & VIDEO PRODUCTION